MOVE

BFA Degree Project | Interactive Installation 2012


Excerpt from MOVE: An Interactive Installation
Human gesture is a powerful tool. It’s one of the most direct and simple ways to communicate visually, but incredibly complex to describe and discuss.

In response to this problem, I created MOVE, an interactive installation, interface, and poster series.
The intent was to educate my fellow designers on the value of understanding, and being able to talk about, the way we move. 

Why?

I look at who we are: the future of design innovation. And yet we let one of the most invaluable tools of creation and interaction lie dormant: our own bodies.

Excerpt from MOVE: An Interactive Installation

I see technology moving forward, but all too often "interaction" has been pin-holed into moving a single finger across a three inch glass screen.

I'm looking to change this for my fellow designers by carefully crafting the way in which we discover and interact with these ideas.


MOVE Interactive Installation DEMO: Full Loop
Kat Lee Hornstein



Excerpt from MOVE: An Interactive Installation, Symposium Day, Presentation and User Testing
Inspired by the theories of revolutionary dancer & choreographer Rudolf von Laban (1879–1959), I created an installation intended to help educate other designers on his brilliant ways of speaking about, notating, and categorizing movement.
A better understanding of Laban’s teachings and a renewed appreciation for the value of gestural language will help drive innovation that reflects a greater awareness of the human body. 
Laban’s 8 Basic Efforts Reimagined Graphically
Kat Lee Hornstein

Laban stated that all gesture can be described by 3 Motion Factors: Space, Weight, and Time. Various combinations of these three attributes make up what he called “the 8 Basic Efforts.” The 8 Basic Efforts are a brilliant way of speaking about, notating, and categorizing movement.

The interface below was designed to help make exemplary connections  between Laban’s terminology surrounding the 8 Basic Efforts and short clips of easily recognizable movement and gesture. Swinging a golf club, typing on a keyboard, or petting your cat, for example.


I created MOVE so my peers could experience the potential of their own movement, learn about the 8 Basic Efforts, and walk away feeling much more aware of the way we move.
It was my hope that having such an experience might have a lasting effect, and encourage them to pursue new forms of interaction as we all move forward with creative design innovation.
(ABOVE) Selections from the MOVE Poster Series
(BELOW) SKETCHING: Installation | Symposium Day Layout
Kat Lee Hornstein 

Sources & Inspiration:

the Mastery of Movement by Rudolf Laban
Laban for All by Jean Newlove